Bold, munificent colours saturate the page, with animals rotund and lively, their hand lettered animal sounds seamlessly blending into a flawless rhyming text. Readers are taken on a hilarious jaunt as these animals negotiate and encourage Duck to say the right thing, anticipation and humour building with each page turn. The little duck plucks at the heartstrings by being true to itself, and challenging our assumptions.

Duck Goes Meow distills all the elements of a great picture book into a celebration of the unexpected, with a conclusion that surprises the animals and readers alike.

From the squeeze of the hourglass on the cover, to the story’s heart-thumping climax, a gripping sense of claustrophobia pervades this novel. The restricted point of view, oppressive setting and accelerating sense of danger conspire to close the reader in, yet the writing feels expansive.

Relationships, reactions and conflicting environmental positions are skilfully drawn, as two pre-teens rely on ingenuity and analytical thinking to help them survive in the collapsing heart of a mountain. As the stakes get higher and the chances of survival lower, the reader is left gasping.

Below is a white-knuckled, powerful read, from one of Aotearoa’s most exceptional storytellers.

Iris and Me is audacious and daring, much like its subject Iris Wilkinson, who wrote poetry, fiction and journalism using the pen name Robin Hyde. This exploration of Iris’ life is astonishingly original. Written in verse with a unique narrative voice, this is heartbreaking yet hopeful historical fiction. The book is impeccably researched and exquisitely written, and its quality is clear from its charming cover through to its extensive end notes. The many hardships that Iris suffers – including mental health issues, disability, and poverty – are sensitively handled and give insight into the life of an important New Zealand author while being relevant to rangatahi today. This is poetry our young people can relate to.

Te Wehenga: The Separation of Ranginui and Papatūānuku presents a well-known creation story from te ao Māori in a ground breaking bilingual format, incorporating text into illustrations in an exciting design, reflecting the darkness, the pain and the hope inherent in this pūrākau. It brings mātauranga Māori into our understanding of how the world began, using tohu Māori or Māori design elements appropriate to the story. Judges were awestruck by its production qualities and by the bold, dark and fully immersive design, which will draw readers into a story that is so fundamental to Aotearoa.

Donovan Bixley excels in this illustrated biography of Leonardo Da Vinci. Relishing the challenge, he plays joyously with puns and puzzles while demonstrating masterful use of tools that were developed by the great artist himself. Composition, perspective, light and colour are used to great effect, with a strong underpinning of drawing and digital skills, creating a vibrant historical read that is also a fluent and delightful feast for the eyes. A Portrait of Leonardo is enticing and accessible to young readers, a great example of words attributed to the master: “Simplicity is the ultimate sophistication”.

Matariki te tohu o te maharanui
Matariki te tohu o te pito mata
Matariki te tohu o te ao hou

Kua Whetūrangitia a Koro is a traditional Māori narrative tailored to fit a new world and a new audience. The significance of this story, its context, and its poetic use of te reo Māori place it in a stratosphere of its own. Much like Matariki, Kua Whetūrangitia a Koro represents authentic Māori stories being told in te reo Māori that will inspire and educate Māori, Pākehā, and all people of New Zealand and the world. Haramai tētahi āhua!

The Lighthouse Princess stands out as a picture book that combines poetic writing and whimsical illustration to create a sum that is greater than its parts. This clever alchemy is all the more astounding considering it is both the writer’s and the illustrator’s first foray into publication. With details that draw a child’s eye into the world of the Lighthouse, and language that lures us from page to page, Rose Northey and Susan Wardell take the reader to an escapist hideaway on a rocky coast inhabited by creatures both real and imagined. Like the boy in the story, once invited in, many will choose not to leave.